The second was an odd feeling of déjà vu during the Mossad’s first “hit” on a Black September associate. Shot through a just-purchased bag of groceries, we see an explosion of milk, which is soon mixed with the victim’s blood – it’s a potent image, but not a new one.
Perhaps he was paying a long overdue tribute to Richard Donner’s original Lethal Weapon?
Or John Frankenheimer’s The Manchurian Candidate?
I say that it’s time the National Dairy Council threw its milkfat-infused weight around and get an indefinite moratorium declared on any use of the white as part of an ironic visual metaphor. Please, folks, let’s preserve this one precious resource for our children.